He was a thinker and he blended these styles to develop a style of his own. He did not believe in imitation. Considering the timbre of his voice, pitch, range and expressive capacity, he forged his own characteristic style.

He usually began his exposition of a raag in the Jod-Aalap or ‘Nom-Tom’ style and created a kind of foundation for his musical statements. This created an aesthetic tension in the listener’s minds and then he landed beautifully on the first beat of the khayal- the ‘sum’. His development of the khayal was always full of such tensions and releases, which pleased the audience.

His concert was consists of Khayal, Thumari, Dadra Natya Geet, Gazal etc. A perfect amalgam of traditional classical as well as light music.

He had an equal command of both common and uncommon Ragas and a large repertoire of compositions. He presented them judiciously, considering the type of audience before him.